Posts tonen met het label actua. Alle posts tonen
Posts tonen met het label actua. Alle posts tonen
maandag 23 april 2018
EXH: Dromen van parelmoer - De Ensor-verzameling van het KMSKA in Oostende
Dromen van parelmoer - De Ensor-verzameling van het KMSKA in Oostende
Mu.ZEE Oostende
12 mei 2018 - 16 juni 2019
Rêves de nacre - La Collection Ensor du KMSKA à Ostende
Dreams of mother-of-pearl - The Ensor Collection of KMSKA in Ostend
Ensor behoort tot het handjevol Belgische kunstenaars die ook internationaal van tel zijn. Wereldwijd hebben musea, verzamelaars en liefhebbers belangstelling voor zijn grensverleggende kunst. Lang voor de term een modieus cliché werd, was Ensor wel degelijk een game changer. Toch staat zijn kunst zelf nog al te vaak in de schaduw van de populaire legende: die rare, mensenschuwe snuiter achter zijn piano in zijn Oostends schelpenwinkeltje.
De afgelopen jaren werd de Antwerpse Ensorverzameling tentoongesteld in New York, Chicago, Los Angeles, Tokyo, Bazel, Kopenhagen en Utrecht. Het KMSKA geeft aan Mu.ZEE 26 schilderijen in langdurig bruikleen. Daarnaast worden wisselende ensembles met tekeningen tentoongesteld.
Meer informatie en tickets vindt men op de museumwebsite.
Beeld: James Ensor, Het schilderende geraamte, 1896, KMSKA. © www.lukasweb.be - Art in Flanders vzw foto Hugo Maertens ©SABAM BELGIUM 2018
donderdag 17 november 2016
Symposium 'La vocation artistique à l’épreuve du genre au 19e siècle: regards sur les peintresses belges'
Symposium La vocation artistique à l’épreuve du genre au 19e siècle : regards sur les peintresses belges in Namen.
Journée d’études organisée dans le cadre de l’exposition Femmes artistes. Les Peintresses en Belgique (1880-1914) au Musée Rops à Namur.
Le jeudi 01/12/2016, de 9h à 16h30
Palais provincial, place Saint-Aubain, Namur
Organisée en collaboration avec l’Université libre de Bruxelles
Journée d’études organisée dans le cadre de l’exposition Femmes artistes. Les Peintresses en Belgique (1880-1914) au Musée Rops à Namur.
Le jeudi 01/12/2016, de 9h à 16h30
Palais provincial, place Saint-Aubain, Namur
Organisée en collaboration avec l’Université libre de Bruxelles
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donderdag 28 april 2016
Doctoraatsverdediging Davy Depelchin 24 mei 2016
Beste collega’s,
Het is me een genoegen om jullie te mogen
uitnodigen op de publieke verdediging van mijn doctoraal proefschrift
getiteld ‘Het verbeelde Morgenland. Jean Portaels en de oriëntalistische
praxis in de Belgische schilderkunst (1830-1913)’.
Deze academische sessie zal plaatsvinden op dinsdag
24 mei om 15u30 in Zaal Rector Vermeylen van Het Pand, cultuur- en
congrescentrum van de Universiteit Gent, pal in de Gentse binnenstad
gelegen (adres: Onderbergen 1, 9000 Gent).
Mag ik de geïnteresseerden onder jullie vragen om me hun aanwezigheid uiterlijk tegen vrijdag 13 mei te melden op volgend e-mailadres:
depelchin.davy@gmail.com.
In de hoop tal van jullie de 24ste in Gent te mogen begroeten,
Met vriendelijke groeten,
Davy Depelchin
Labels:
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vrijdag 15 april 2016
Studiedag Historisch Interieur en Ontwerp | Gent | 21/04/2016
Op 21 april 2016 vindt de Studiedag Historisch Interieur en Ontwerp 2016 plaats aan de UGent (Het Pand). Op het programma veel onderwerpen over de 19de eeuw. Alle info en inschrijving: http://www.historischinterieurenontwerp.ugent.be/
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maandag 19 oktober 2015
Najaarslezingen 2015 in het Groeningemuseum ihkv "Mythische Primitieven"
Najaarlezingen 2015
van het Vlaams onderzoekscentrum voor de kunst in de
Bourgondische Nederlanden
Alle
lezingen gaan door in de Vriendenzaal van het Groeningemuseum op donderdag om
15 uur en zijn gratis. De lezingen van 08.10 en 26.11 zijn in het Nederlands,
de lezing van 17.12 is in het Engels.
08.10.2015: Till-Holger Borchert
Directeur,
Musea Brugge
De
herontdekking van de Vlaamse Primitieven en het ontstaan van de kunstmusea
26.11.2015: Stefan Huygebaert
PhD Student (BelSPo IAP Justice
& populations), UGent Institute for Legal History
Een evidente keuze? De
middeleeuwen en haar primitieven als thematiek van de Brugse romantische
schilderkunst
De Belgische romantische
schilderkunst werd rond 1830 gekenmerkt door een thematische voorkeur voor het
nationale verleden, niet het minst voor de helden van de nationale
kunstgeschiedenis. Veel van deze ‘mythische primitieven’, zoals Van Eyck,
Memling en David, waren in Brugge actief, en de Brugse Academie voor Schone
Kunsten bewaarde enkele van hun belangrijkste paneelschilderijen. Daarnaast was
Brugge de stad waar de architecturale neogotiek niet alleen haar eerste, maar
ook haar meest omvangrijke uitwerking zou kennen.
In deze lezing staat de vraag centraal hoe en
in welke mate de vooraanstaande Brugse romantische schilders en hun academie de
lokale middeleeuwen en hun primitieven een plaats gaven in hun werken en
denken.
17.12.2015: Jenny
Graham
Associate Professor in Art History, University of
Plymouth
Mythical
Primitives: Imagining the Past in Nineteenth-Century Bruges
Bruges and Flanders played a
significant role in the Gothic revival taking place across Europe in the
nineteenth century. French painters
including Courbet, Toulouse-Lautrec and Gauguin, and the English Pre-Raphaelite
artists Dante Gabriel Rossetti, William Morris and Edward Burne-Jones made
pilgrimages to Bruges to see works by Jan van Eyck and Hans Memling made famous
by new trends in art tourism. Closer to
home, a new Flemish movement in art and literature flourished as it looked back
to the gilded age of the fifteenth century, re-imagining the glory days of Van
Eyck and Memling in word and image in the nostalgic atmosphere of
nineteenth-century Bruges. In this talk,
art historian Jenny Graham (author of Inventing Van Eyck: The Remaking of an
Artist for the Modern Age, Oxford and New York, 2007) will explore the
cultural history of Bruges’s own relationship with its past as the city
negotiated its way into the modern era.
woensdag 5 maart 2014
dinsdag 4 februari 2014
CFP Intellectuals & the Great War, Dec. 2014
Intellectuals
& the Great War
An International
Conference.
Ghent University, December 17-19, 2014
Ghent University, December 17-19, 2014
Ghent University announces a First World War conference,
scheduled to take place from 17-19 December 2014. The focus of this
international scholarly gathering is on the role of the intellectual in the
First World War. It aims to explore the ways in which intellectuals, working in
different fields and contexts, dealt with the strain, the shock and the
aftermath of WWI. We invite papers that look into the position of the
university during the war; the ways in which academia and the ‘monde
international des esprits’ dealt with the issue of action and commitment, and
what it meant for thinkers to be confronted with the physical aspects of war.
In the vast field of WWI studies, relatively little attention has been devoted
to the role of the intellectual. When this topic has been tackled the debate
rarely reached a transnational, multidisciplinary level. In bringing together
scholars from different academic and national backgrounds, the 2014 Ghent
conference seeks to do justice to the many faces of the intellectual during WWI
and wants to trace what the scholarly world now owes to them. We aim to address the strategies and
narratives of both the Entente and Central European intellectuals, of both
patriots and collaborators in occupied territories.
The Great War broke out at a time of educational
reform. Due to demographic changes and social reforms the early twentieth
century speeded up the democratization of higher education, which had slowly
begun in the second half of the nineteenth century. The fact that colleges
started to open their doors to men and, in some cases women, from different
social backgrounds changed the profile of the intellectual, from armchair
scholar to public figure and intrepid adventurer. The impact of the First World
War on this development cannot be overestimated. Those not out on the
battlefield had to confront the questions if and how to contribute and react.
In which ways did the events influence innovative developments, within the
fields of the sciences, philosophy, literature and the arts? In which ways was
the question how to make sense of the broken minds, the many maimed and dead
bodies dealt with across disciplines? What survives today of the insights or
techniques that question yielded? How do twenty-first-century intellectuals,
engage in writing and rewriting the history of 1914-1918, look back on the
attempts of our peers to mobilize their minds and bodies? More specifically,
the conference proposes four avenues, with four intellectual disciplines, for
discussion:
·
Science
The
positioning of the academic and scientific world at large during the First
World War is this section’s focus. We also welcome papers that seek to find an
answer to what it meant to be an academic at the time, both intellectually and practically.
We are interested in the legitimization of scientific and technological
progress made in service of the war effort. Finally, we also invite papers that
aim to understand the impact in terms of continuity and discontinuity of the
First World War and the Russian Revolution on the transnational circulation of
ideas and cultural goods. We encourage proposals that deal with the individual
life-story of scientists, engineers, social and human scientists, to open up to
a larger perspective.
·
Literature
In this
section we want to explore the impact of the Great War on early
twentieth-century as well contemporary literature. Possible topics include: WWI
as a period of literary innovation; the production and reception of patriotic
and non-pacifist texts; the image of war poets as “doomed youth”; generation
gaps in the war effort; the production of nationalist literature before,
during, and after the war; the decision for authors whether to swell the ranks
or to comment from the sideline; the ideal of heroism; the employment of women
in factories and other previously male domains; the formation of new social
norms in masculinity and femininity; war poetry by female writers and its exclusion
from anthologies until after 1980; nature and the countryside as a scene of war
and peace; the representation of trauma during and after the War Effort.
·
Philosophy
Paper
proposals that deal with any aspect of philosophy’s relationship to the First World
War and its reception among philosophers are welcome. Topics could include the
role of the war in the thought (and lives of) particular philosophers (e.g.
Wittgenstein, Otto Neurath, Carnap, Bergson, Russell, Reinach, Eucken, etc). We
are especially interested in papers that explore the role of the war in the
rise (and decline) of philosophical movements (analytic philosophy,
phenomenology, Lebensphilosophie, positivism)
and their broader relationship to larger intellectual and political movements. We
also welcome contributions that deal with the philosophy and morality of mass
war and that trace the ways in which current debate in ethics relates to
1914-1918, with the use of arms, with the philosophy of history, and with the
social responsibility, if any, of intellectuals.
·
Artists
and architects
Paper
proposals dealing with the following themes are welcomed: The Great War as
artistic motif; the war as catalyst for the development of new artistic
currents as well as for the rise of a new type of artist coping with industrial
modernity; the use of visual media in the war effort; the relation between the
arts and new war-related visual practices (such as aerial photography or
camouflage techniques); industrial warfare as a nihilist "Gesamtkunstwerk"
in relation to avant-garde currents such as Futurism and Dada; the development
of new international contacts and forms of collaboration among artists within
pacifist circles in exile; architectural conferences and education of
architects abroad; exiles returning to their home country; confrontation of
local and international ideas about rebuilding the country ; et cetera.
Proposals for 20-minute
papers are due via email (intellectualsandthegreatwar@gmail.com) by Feb 25, 2014, and should take the form
of a 1-page abstract accompanied by a short CV; in the case of complete panels,
proposals should consist of an abstract and short CV for every panelist
together with a short CV for the chair (if different).
The conference will be held from December 17-19, 2014 at Het Pand, Onderbergen 1, 9000 Ghent, Belgium. We welcome papers in English, French, German, and Dutch.
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dinsdag 14 januari 2014
tento. Het neo-impressionistisch portret
"TO THE POINT: Het Neo-impressionistisch portret, 1886-1904”: reizende tentoonstelling, georganiseerd door het Indianapolis Museum of Art, zal plaatsvinden van 19 februari tot 18 mei 2014 in het ING Cultuurcentrum, Koningsplein 6 te 1000 Brussel.
maandag 7 oktober 2013
Jean Robie - Charlier Museum - 9/10/2013 - 3/1/2014
Tentoonstelling in het Museum Charlier: Jean Robie: schilder, schrijver en zijn reizen in India.
Zie voor meer informatie: http://www.charliermuseum.be.
Zie voor meer informatie: http://www.charliermuseum.be.
donderdag 19 september 2013
Courbet-tento KMSKB naar Boston
De geslaagde tentoonstelling 'Gustave Courbet en België' de voorbije lente in de KMSKB Brussel krijgt nog een staartje in Boston, onder de noemer "Courbet: Mapping Realism".
September 1–December 8, 2013
The exhibition maps the travels and influence on foreign artists of one of France’s most prolific and innovative painters, the leader of the realist movement, Gustave Courbet. It expands upon an exhibition shown at the Royal Museums of Fine Arts of Belgium in Brussels from May to August 2013 titled Gustave Courbet and Belgium, which examined the role Belgium played in Courbet’s development and the warm response the bold social commentary in his work received from Belgian artists and collectors. Courbet: Mapping Realism adds additional paintings by Courbet in American collections to tell the story of his reception on this side of the Atlantic. A selection of outstanding paintings by Courbet’s American contemporaries, including Elizabeth Boott Duveneck, Martin Johnson Heade, Winslow Homer, William Morris Hunt, Eastman Johnson, and John La Farge, reveals the role he played in shaping American painting.
Organized by the McMullen Museum and the Royal Museums of Fine Arts of Belgium, Courbet: Mapping Realism has been curated by Jeffery Howe and Dominique Marechal. The exhibition has been underwritten by Boston College, the Patrons of the McMullen Museum, the Newton College Class of 1968, and the Newton College Class of 1973.
A volume of essays by American and Belgian scholars (Claude Cernuschi, Jeffery Howe, Jean-Philippe Huys, Dominique Marechal, and Katherine Nahum) edited by Howe accompanies the exhibition.
(info afkomstig van de website: http://www.bc.edu/bc_org/avp/cas/artmuseum/exhibitions/archive/courbet/index.html)
September 1–December 8, 2013
The exhibition maps the travels and influence on foreign artists of one of France’s most prolific and innovative painters, the leader of the realist movement, Gustave Courbet. It expands upon an exhibition shown at the Royal Museums of Fine Arts of Belgium in Brussels from May to August 2013 titled Gustave Courbet and Belgium, which examined the role Belgium played in Courbet’s development and the warm response the bold social commentary in his work received from Belgian artists and collectors. Courbet: Mapping Realism adds additional paintings by Courbet in American collections to tell the story of his reception on this side of the Atlantic. A selection of outstanding paintings by Courbet’s American contemporaries, including Elizabeth Boott Duveneck, Martin Johnson Heade, Winslow Homer, William Morris Hunt, Eastman Johnson, and John La Farge, reveals the role he played in shaping American painting.
Organized by the McMullen Museum and the Royal Museums of Fine Arts of Belgium, Courbet: Mapping Realism has been curated by Jeffery Howe and Dominique Marechal. The exhibition has been underwritten by Boston College, the Patrons of the McMullen Museum, the Newton College Class of 1968, and the Newton College Class of 1973.
A volume of essays by American and Belgian scholars (Claude Cernuschi, Jeffery Howe, Jean-Philippe Huys, Dominique Marechal, and Katherine Nahum) edited by Howe accompanies the exhibition.
(info afkomstig van de website: http://www.bc.edu/bc_org/avp/cas/artmuseum/exhibitions/archive/courbet/index.html)
maandag 16 september 2013
Vier penseelprinsessen in Hingene
Woensdag aanstaande opent in het kasteel d'Ursel in Hingene de tentoonstelling 'Vrouwen met stijl. Vier penseelprinsessen in Hingene'. De tentoonstelling met werk van vier adellijke amateurschilderessen, de periode van Napoleon tot na de Eerste Wereldoorlog omvattend, loopt van 22 september tot 24 november 2013.
In het kader van deze tentoonstelling wordt op 8 november 2013 ook een symposium georganiseerd en verschijnt een publicatie.
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donderdag 29 augustus 2013
Doctoraat Gentse Academie
Op 5 sept. verdedigt drs. Tim De Doncker aan de UGent, vakgroep Geschiedenis, zijn doctoraat getiteld "Hupsicheyt en hantgedaet. Kunstacademie en ambachtsgilden te Gent ca. 1748-1800" (promotor: Prof. dr. Anne-Laure Van Bruaene, copromotor: Prof. dr. Hilde De Ridder-Symoens). Ook de vroege 19de eeuw komt summier aan bod.
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Ensor Research Project van start!
Het Koninklijk Museum voor Schone Kunsten Antwerpen startte in juli 2013 met het Ensor Research Project. Alle info op de site. Volgt dat op!
Herwig TODTS verdedigde overigens op 19 juni 2013 aan de UGent met glans zijn doctoraat in de Kunstwetenschappen, getiteld James Ensor, occasioneel modernist. Een onderzoek naar James Ensors artistieke en maatschappelijke opvattingen en de interpretatie van zijn kunst. Wordt vervolgd.
Herwig TODTS verdedigde overigens op 19 juni 2013 aan de UGent met glans zijn doctoraat in de Kunstwetenschappen, getiteld James Ensor, occasioneel modernist. Een onderzoek naar James Ensors artistieke en maatschappelijke opvattingen en de interpretatie van zijn kunst. Wordt vervolgd.
maandag 15 april 2013
Symposium Van Gogh’s Studio Practice in Context - 24-26 June 2013
Location: Van Gogh Museum and Stedelijk Museum in Amsterdam
Date: 24-26 June 2013
English spoken
From May 2013 to January 2014 the Van Gogh Museum, in close collaboration with the Cultural Heritage Agency of the Netherlands and Shell Nederland, will present the results of an innovative and interdisciplinary research on Van Gogh’s working methods in the context of his time to a larger public.
An ambitious exhibition at the Van Gogh Museum, accompanying publications and an international symposium, will shed more light on Van Gogh’s use of an impressive range of materials and techniques in order to understand to what extent his studio practice was influenced by other artists and the conditions in which he lived and worked.
Participation
Scholars (curators, researchers, conservators, conservation scientists, physicists and chemists) working in the wider field of 19th-century studies are warmly invited to attend the symposium. The organization invites broad participation. Therefore, we would be most grateful if you could forward this announcement to possible interested parties.
Registration
Registration for the symposium is possible until 15 June 2013. The registration fee includes admission to both museums (Van Gogh Museum and Stedelijk Museum), lunch and refreshments, as well as an evening reception and visits to the exhibition, Van Gogh at work.
See for more info: here.
dinsdag 12 februari 2013
Foundation of the European Society for Nineteenth-Century Art (ESNA)
The European Society for Nineteenth Century Art ('ESNA') is a working group
of scholars, graduate students, and museum professionals based in the
Netherlands whose research focuses on European art of the long nineteenth
century. ESNA's aim is to provide a forum that promotes the exchange of ideas in
this field, to support and encourage graduate research, and to enhance
networking opportunities for participants. ESNA seeks to contribute to, and
foster debate on, nineteenth-century art through its organization of an annual
symposium, the invitation of visiting speakers, and co-ordination with other
organizations and groups devoted to the study of the nineteenth century. ESNA is
a working group formed under the auspices of the Dutch Research School for Art
History (Onderzoekschool Kunstgeschiedenis).
woensdag 17 oktober 2012
Bijeenkomst 11 december 2012 - Petrus van Schendel: meester van het avondlicht
Op 11 december 2012 komt XIX samen voor een geleid bezoek aan de tentoonstelling Petrus van Schendel: meester van het avondlicht in Breda's Museum. Het bezoek wordt begeleid door Jan de Meere, de auteur van de monografie over van Schendel die ter gelegenheid van de tentoonstelling wordt gepubliceerd. Aansluitend kan iedereen samen lunchen en bijpraten. Contacteer Marjan Sterckx of Jan Dirk Baetens voor meer informatie.
Labels:
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dinsdag 16 oktober 2012
Grafgalerijen van Laken 'on air'
Aflevering 7 van het Canvas-programma Publiek Geheim, op di. 30 okt. 2012 ca. 21u10, is geheel gewijd aan de begraafplaats en de grafgalerijen van Laken. Collega Linda Van Santvoort, hoofddocent aan de UGent en voorzitter van de v.z.w. Epitaaf, zal er haar passie voor de begraafplaats en het funeraire erfgoed delen.
Een geleid bezoek aan de begraafplaats staat op het activiteiten-verlanglijstje van XIX.
Een geleid bezoek aan de begraafplaats staat op het activiteiten-verlanglijstje van XIX.
maandag 17 september 2012
Congres: Dealer, Collector, Critic, Publisher...: The "Animateur d'art" and his multiple roles - Brussel, KMSKB, 25-26 oktober 2012
Op 25 en 26 oktober 2012 wordt door de Koninklijke Musea voor Schone Kunsten van België een congres georganiseerd met als thema: "Congres Dealer, Collector, Critic, Publisher...: The "Animateur d'art" and his multiple roles". Zie de bijgevoegde folder voor het programma en alle praktische informatie. Let op: het congres vindt plaats in het auditorium Lippens van de Koninklijke Bibliotheek van België.
vrijdag 20 mei 2011
APAHAU
De blog van de Association des Professeurs en Archéologie et Histoire de l'Art des Universités: een heel actieve en interessante Franse blog met allerlei nieuws over tentoonstellingen, aankondigingen, oproepen, enz.: http://blog.apahau.org.
woensdag 10 februari 2010
Website "Facing the Late Victorians"
There is now a website for "Facing the Late Victorians: Portraits of Writers and Artists from the Mark Samuels Lasner Collection," an exhibition to take place at the Henry B. Plant Museum, Tampa, FL, from 5 March through 5 June 2010. The exhibition is occasioned in part by the 2010 annual conference of the Nineteenth Century Studies Association (NCSA), "Theatricality and the Peformative in the Long Nineteenth Century," 11-13 March 2010, hosted by the University of Tampa.
Facing the Late Victorians features portraits of dozens of well-known figures such as Oscar Wilde, George Eliot, Aubrey Beardsley, George Bernard Shaw, J. M. Barrie, H. G. Wells, Arthur Conan Doyle, Ellen Terry, Thomas Hardy, Henry James, Kate Greenaway, William Morris, Max Beerbohm, Sarah Bernhardt, James McNeill Whistler, and John Singer Sargent. The drawings, prints, photographs, manuscripts, and books—many rarely seen—are drawn from the Mark Samuels Lasner Collection, on loan to the University of Delaware Library. Margaret D. Stetz, the exhibition’s curator, is the Mae and Robert Carter Professor of Women’s Studies and Professor of Humanities at the University of Delaware.
Facing the Late Victorians features portraits of dozens of well-known figures such as Oscar Wilde, George Eliot, Aubrey Beardsley, George Bernard Shaw, J. M. Barrie, H. G. Wells, Arthur Conan Doyle, Ellen Terry, Thomas Hardy, Henry James, Kate Greenaway, William Morris, Max Beerbohm, Sarah Bernhardt, James McNeill Whistler, and John Singer Sargent. The drawings, prints, photographs, manuscripts, and books—many rarely seen—are drawn from the Mark Samuels Lasner Collection, on loan to the University of Delaware Library. Margaret D. Stetz, the exhibition’s curator, is the Mae and Robert Carter Professor of Women’s Studies and Professor of Humanities at the University of Delaware.
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